Posts tagged digital artists

Decode: The Importance of Interactivity

decodeAs a Christmas treat I took my 7 year old son Zac to visit the Decode exhibition at the V & A in London. The V & A is one of my favourite museums and all the exhibitions I’ve seen there have always been really well executed. Kids go free and as a student the entrance fee was only £4 plus we received a beautifully designed exhibition brochure so I was pretty happy before we had even entered the exhibition space.

Decode, a collaboration between the V&A and onedotzero is showcasing the latest developments in digital and interactive design, from screen-based graphics to large-scale interactive installations. Work from familiar names in the digital field are there including Joshua Davis, John Maeda, Flight 404 and Golan Levin among many others. As Zac and I entered the darkened room and walked through a field of interactive lights that reacted to our footsteps there was much ooing and ahhing. As I stopped to admire the power and beauty of processing by artists such as Joshua Davis and CEB Reas, Zac was in his element…being able to touch things at an exhibition was obviously a huge novelty! From the touch screen ‘House of Cards’ by James Frost, to ‘Solar’ from Flight 404 which reacts to and visualises sound (not surprisingly this was particularly popular with the kids as they tried to outdo each other on the volume).

zacatdecodeWe made our way around completely engaged with the exhibits which were not only awe inspiring but beautiful too. My personal favourite is ‘Dandelion’ by Yoke which responds  both visually and audibly to a hairdryer with an infrared beam installed, that you point at the screen to blow the petals away – delicate, smooth, gorgeous! In addition, ‘Oasis’ by Yunwoo Bang and Yunsil Heo inspired a playful element to the exhibition and was far more interesting than having a real fish tank (you’ll know what I mean when you visit the exhibition). In fact this exhibition was just that: ‘playful’ and as an MA Digital Media Arts student it was also ‘inspiring’ As a result Zac is now becoming quite knowledgeable in the art of Processing as I have returned home and plunged in my Processing books :)

digitalflowersPerhaps my only, very small criticisms would be the exhibition could have been sightly larger. More importantly however some of the exhibits weren’t always working which was disappointing especially when you are paying to enter the exhibition. However I would highly recommend this exhibition to not only Digital Art enthusiasts but also to parents who want to introduce their children to the wonders of computer art and its possibilities. Watching my son other people of all ages at the Decode exhibition only cemented further my opinion that the digital environment and interactivity has a huge potential to encourage learning, experimentation, playfulness and the ability to enrich our overall daily experience.

Zac and I decided to continue our interactive adventure at the Science Museum, just around the corner from the V & A, in the ‘Launchpad‘ section, a permanent and free exhibition giving children the chance to explore concepts of science and technology with hands-on exhibits.  We took advantage of the free demonstrations, including a bubble show and launching a water propelled rocket. During our day at the Science Museum and the V & A, we both found things that inspired us, we both learnt a lot and most importantly we had a huge amount of fun too!

zacbubblesA message to the curators of all future exhibitions: engage your audience with digital technology and interactive exhibits so we can inspire and educate young minds and finally say ‘Do Touch!’

Flash Reactions

Real Time Flash & MusicPatrick Gunderson’s experiment in Flash. Images reacting to real time music, ‘Summertime’. Nice.

Spa by DecoGunderson was inspired by this: ‘Spa by Deco’…truly beautiful (click link below)

SPA from DeKo on Vimeo.

Missed Opportunites

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OK, so here I am looking forward to throwing myself in the MA in Digital Media Arts…I’m raring to go. Our first lecture is at the Lighthouse, with Roman Verostko a digital art pioneer who recently received the ACM SIGGRAPH distinguished Artist Award for a lifetime achievement in digital art. Except, as I was about to excitedly board the train to Brighton, stuff happens, life gets in the way and I couldn’t make it. Grrrr ….

So instead I have tried to rectify the situation and my disappointment in some small way. I’ve delved into the internet archives to find out a little more about Roman Verostko.

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  • Born in 1929, Verostko’s  art emanates from the tradition of early 20th Century pioneers who sought to create art using pure visual form.  “The theory and practice of Mondrian, Kandinsky and Malevich  led me to explore what Henri Focillon identified as “the life of forms” in art…I have sought to create original forms that are unique realities without reference to other objects or images.”
  • In 1970, through a programming course at the Control Data Institute in Minneapolis, Verostko experienced  the  form-generating possibilities coding procedures coupled with computing power could realise. “Clearly  the dreams of the pioneers could be realized! With this technology we could create instructions for generating visual forms; we could now compose  the “score” for drawing!” This discovery along with the continued development and sophistication of personal computers,  Verostko began writing elementary drawing instructions, or ‘algorithms’. Verostko has become known for his algorithmic pen and ink drawings.
  • Algorists are ‘artists who create art using algorithmic procedures that include their own algorithms.‘  The term was introduced in 1995 to identify artists who employed original algorithms in the process of creating their art. For more info read Verostko’s ALGORITHMIC ART, Composing the Score for Visual Art
  • For over 30 years a set of drawings lay unused, that he had created for an ‘Upsidedown Book’ in the 1970’s (later released in August 2008). He used these upside down drawings as a mural for the Fred Rogers Centre on the St Vincent College Campus in Latore, USA. Inside the main entrance of this impressive center the Upsidedown Mural rises over two stories.

For further reading on Roman Verostko’s fascinating work check out the following
On the man, www.verostko.com
On the algorists, www.algorists.org
On those beautiful dancing ‘Miroesque’ figures www.upsidedownbook.com
Interesting Verostko Essay digitalartmuseum.org/essays/verostko01.htm